©2017-2024 Sona Babajanyan
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
From the “Imprints” series
From the “Imprints” series
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
Is it just one Strange Horseman, or four different ones? Can you even see a horseman here? The four pieces in this series are interpretations of the same black-and-white original composition. Same figure, same event, same background – four different perceptions, memories, and reports.
From the “Imprints” series
From the “Imprints” series